Illustrations «Animal»

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Monica Hellstrom Monica Hellstrom
Monica Hellstrom
David Senior David Senior
David Senior
Andrea Ucini Andrea Ucini
Andrea Ucini
Mai Ly Degnan Mai Ly Degnan
Mai Ly Degnan
Alex Antonescu Alex Antonescu
Alex Antonescu
Nien-Ken Alec Lu Nien-Ken Alec Lu
Nien-Ken Alec Lu
Nathan Hackett Nathan Hackett
Nathan Hackett
Gemma Correll Gemma Correll
Gemma Correll
Yiffy Gu Yiffy Gu
Yiffy Gu
Andy Potts Andy Potts
Andy Potts
Nathalie Dion Nathalie Dion
Nathalie Dion
Phil Wheeler Phil Wheeler
Phil Wheeler
Agathe Bray-Bourret Agathe Bray-Bourret
Agathe Bray-Bourret
Tony Healey Tony Healey
Tony Healey
Inma Hortas Inma Hortas
Inma Hortas
Daniella Ferretti Daniella Ferretti
Daniella Ferretti
Craigio Hopson Craigio Hopson
Craigio Hopson
Kotynski Kotynski
Joe Magee Joe Magee
Joe Magee
Audrey Malo Audrey Malo
Audrey Malo
Dominic Bodden Dominic Bodden
Dominic Bodden
Clare Mallison Clare Mallison
Clare Mallison
Chris Madden Chris Madden
Chris Madden
Jennifer Tapias Derch Jennifer Tapias Derch
Jennifer Tapias Derch


Specializing in the portrayal of animals, the animal illustrator focuses on the anatomy, habits, and characteristics of animals.
While many use a representational style of rendering animals, others crossover as children’s book illustrators like Helen Beatrix Potter, natural scientist and conservationist, known for her children’s book, The Tale of Peter Rabbit.
Zoological atlases abound with illustrations of horses, birds, and fish, many dating back a couple of hundred years. In 1844, The Atlas of Zooolgie, with illustrations produced by artists who each specialized in drawing a specific species of animal, is a fine example, with plate after plate of glorious creatures in all their splendor.
The smart animal illustrator is a specialist who has studied his subject well: Charles Church or Mark Upton, racehorses; C.J. Brown, livestock, or Steven Jay Sanford, birds. Most animal illustrators work in paint; watercolor, oil or any medium that can be reworked over time, though some use graphite and colored pencil.
Many animal illustrators have a background in animal husbandry; are naturalists, or conservationists.
They study their subjects with intensity to create lifelike renderings of feathers and fins. The sheen of a stallion’s coat, the filament on the gill of a fish, the contours and colors of a European goldfinch, the plumage and tail feathers of a pastel-colored parakeet: nothing escapes the keen eye of the animal illustrator.